Lost Boys by James Miller
This book by first time author Miller is certainly new, fresh and unusual. But I haven’t got a clue about genre. Is it horror, suspense, fantasy or just a good old-fashioned war story. I for one haven’t got a clue.
The setting is modern England. Middle-class teenage boys are disappearing, hundreds of them. It looks like they are all running away, but they are never seen again. What is going on?
The situation is made much more intense by focusing on the disappearance of one boy, Timothy Dashwood. His father is a big wig for an international oil company, and the whole family have spent some time in the Mid East. With these connections, there is the assumption that Dashwood has been kidnapped and all that is to be done is wait for the ransom note. But several other boys from the same school have also disappeared, and no note appears.
The story is told in three parts. First through the eyes of Timothy as he drags himself through the last week of school before the Christmas break. He is the new boy at an exclusive private school and subject to bullying. The reader can clearly sense his desire to escape this torment. Once Timothy disappears the story is taken up by his father as he listens to a series of tape recordings made by the private detective hired to find the boy. These tapes gradually build tension and horror until the detective disappears, and only Dashwood knows how and where. In the final section of the book Dashwood decides to continue the investigation in an effort to get to the bottom of the mystery.
I found this book really quite disjointed and difficult. There were tons of literary references thrown in. Even the title has links to Peter Pan. Did Miller want to demonstrate his education by name dropping? Or was there a point to all these references that I missed. And the second section could easily have been cut in half. After 100 pages, I no longer cared that the tapes were old and faulty, so painstaking descriptions of every hiss and crackle was wasted ink. I was so accustomed to skipping all the italic comments about the quality of the recording that I nearly missed it when the detective disappeared. The third part was packed full of unnecessarily graphic language and sex that had absolutely no place in a story of a father’s search for his son.
But maybe I missed the point. Maybe the whole book is about the tragedy of children caught up in war. Maybe Miller was trying to convince his readers that as long as war exists anywhere in the world, no child is safe. A worthy theme that is hard to treat with a fresh approach, but a reader shouldn’t be wondering in the end.
This book would have made a great novella, or even a short story, but in its current form it is simply too long and complicated.


